<?xml version='1.0' encoding='ISO-8859-1'?><rss version="0.91"><channel><title>Directorios Universia: Cine - Artes en Museos y exposiciones</title><link>http://www1.universia.net/catalogaxxi/C10055PPESII1/S127533/P12567NN1/INDEX.HTML</link><description>CINE EN MUSEOS Y EXPOSICIONES</description><language><![CDATA[es ]]></language><pubDate><![CDATA[24/11/2009 19:50:43]]></pubDate><image><url>http://www1.universia.net/catalogaxxi/img/cabecera/universia1.gif</url><title>Directorios Universia</title> <link>http://www1.universia.net/CatalogaXXI</link></image><item><title><![CDATA[Academy Film Archive]]></title><description><![CDATA[«The Academy Film Archive contains over 15,000 film and video items dating from the earliest era of the cinema to the latest achievements in visual effects, and representing the Academy's various areas of interest and activity over the years. In addition to works of masters such as Griffith, Chaplin and Keaton, the Archive has films by pioneers Lumiere and Melies, and the Paper Print Collection of early motion pictures, while the breadth of the silent film period is covered in the Blackhawk collection. The Academy War Film Collection, which originated in the Academy's public service during World War II, is now an important historical resource. In response to the crisis in the preservation of non-fiction film, the Archive and the International Documentary Association established the IDA/Academy Documentary Center to collect, preserve and study non-fiction film-making, and has been able bring over 2,000 documentary films under archival protection to date.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160550/index.html]]></link></item><item><title><![CDATA[America at Work, America at Leisure: Motion Pictures from 1894-1915]]></title><description><![CDATA[Library of Congress.<BR>
«Work, school, and leisure activities in the United States from 1894 to 1915 are featured in this presentation of 150 motion pictures, 88 of which are digitized for the first time (62 are also available in other American Memory presentations). Highlights include films of the United States Postal Service from 1903, cattle breeding, fire fighters, ice manufacturing, logging, calisthenic and gymnastic exercises in schools, amusement parks, boxing, expositions, football, parades, swimming, and other sporting events.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160283/index.html]]></link></item><item><title><![CDATA[An Evening With Marilyn]]></title><description><![CDATA[By Douglas Kirkland. October 2002.<BR>
The Digital Journalist.<BR>
«Douglas Kirkland moves gracefully around his lovely house in the Hollywood Hills and his charm reminds me of Robert Redford in The Great Gatsby. He speaks quietly, in short sentences, as he and his beautiful French wife show their friends his latest &#8220;Iris&#8221; prints. He is quiet but you feel his intensity, as he discusses the evolution of the film industry and its latest delusions.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160794/index.html]]></link></item><item><title><![CDATA[Archivio audiovisivo del movimento operaio]]></title><description><![CDATA[«I film documentari, i film fiction, i documenti audiovisivi sono prevalentemente di argomento storico-sociale e riguardano tutto il secolo XX, in particolare gli anni dal 1945 al 2000. Si riferiscono a tutti i paesi del mondo, anche se l'Italia ha una parte predominante.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160552/index.html]]></link></item><item><title><![CDATA[Archivio fotografico ]]></title><description><![CDATA[Cineteca di Bologna.<BR>
«L'archivio fotografico raccoglie oltre un milione di immagini fotografiche che la Cineteca conserva, preserva dal degrado e mette a disposizione del pubblico. Comprende due sezioni: la Sezione Cinema e la Sezione Bologna.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160610/index.html]]></link></item><item><title><![CDATA[Archivo Fílmico de la Cinemateca Nacional ]]></title><description><![CDATA[Palacio Nacional de Cultura, Nicaragua.<br>«... contiene importantes colecciones que archivan la memoria visual de Nicaragua desde los años 30 hasta la actualidad.<br>La colección de Sandino con filmes de la época de los años 30; la de Somoza compuesta por los noticieros realizados en esa época;
los noticieros sandinistas; la videoteca Violeta Barrios de Chamorro;
coproducciones con otros países; películas que se rodaron en Nicaragua como
"Señor presidente", "Walker", y "La Canción de Karla", entre otras; la colección Arnoldo Alemán, son algunas de las cintas que se encuentran en el archivo.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E130164/index.html]]></link></item><item><title><![CDATA[Armenian National Cinematheque]]></title><description><![CDATA[«The Armenian National Cinematheque with its movie collection is an alive encyclopedia which reserves the huge part of Armenian film heritage.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160554/index.html]]></link></item><item><title><![CDATA[Before and After the Great Earthquake and Fire: Early Films of San Francisco, 1897-1916]]></title><description><![CDATA[Library of Congress.<BR>
«This collection consists of twenty-six films of San Francisco from before and after the Great Earthquake and Fire, 1897-1916. Seventeen of the films depict San Francisco and its environs before the 1906 disaster. Seven films describe the great earthquake and fire. The two later films include a 1915 travelogue that shows scenes of the rebuilt city and a tour of the Panama Pacific Exposition and a 1916 propaganda film.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160260/index.html]]></link></item><item><title><![CDATA[Bibliothèque du Film]]></title><description><![CDATA[«La Bibliothèque du Film est le premier établissement exclusivement consacré à la documentation sur le cinéma. L'activité pédagogique de la BiFi est l'un des axes majeurs de sa mission. Les produits pédagogiques édités et diffusés par la BiFi sont, au même titre que les services de prestations documentaires qu'elle propose dans ses espaces,adaptés aux besoins de chaque public, de l'amateur de cinéma au professionnel.Le site BiFi.édu a pour vocation d'optimiser la diffusion gratuite des outils produits par la BiFi à l'intention des membres de l'Education nationale.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160555/index.html]]></link></item><item><title><![CDATA[Bill Viola: The Passions]]></title><description><![CDATA[John Paul Getty Museum.<BR>
«Bill Viola, born in New York City in 1951, has used video to make works of art since 1970, soon after the portable video camera became available. From his earliest videotapes, the work has explored states of consciousness, most often conveyed by images of the ordinary world.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160068/index.html]]></link></item><item><title><![CDATA[Bollywood Dreams]]></title><description><![CDATA[By Jonathan Torgovnik. 2003.<BR>
The Digital Journalist.<BR>
«It is the biggest in the world. It turns out far more films than Hollywood, and in fact, most of the rest of the world combined (with the possible exception of China.) The movies are filled with romance, lust, action, and of course thousands of dancing maidens (generally being drenched by massive hoses.)»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160788/index.html]]></link></item><item><title><![CDATA[Buñuel, 100 años]]></title><description><![CDATA[Centro Virtual Cervantes.<BR>
«Para Luis Buñuel los disfraces, las bromas, las máscaras, las enigmáticas manos, los escondidos pies, los fotogénicos insectos y Benito Pérez Galdós, enorme novelista español del siglo XIX, fueron tal vez los emblemas de un destino artístico. Con estos y otros juegos privados rodó treinta y dos películas y construyó uno de los universos fílmicos más íntimos y fascinantes de la historia del cine.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E127863/index.html]]></link></item><item><title><![CDATA[Casa del Lago]]></title><description><![CDATA[Universidad Autónoma de México.<br>«... es el primer centro de extensión de la cultura fundado fuera del campus universitario. En sus salones, foros y galerías se han dado cita los representantes de la vanguardia cultural del país.<br>Ofrece al visitante una gran variedad de manifestaciones artísticas de alta calidad. La danza, el teatro, la música, el cine y las artes plásticas se disfrutan como espectáculo y se llevan a la práctica docente en sus cursos y talleres. A las actividades que se realizan al aire libre, ya emblemáticas de este espacio universitario, como son el ajedrez y la pintura, se suman bailes de salón, filatelia, rincón de lectura, así como jardinería y hortaliza urbana, entre otras. Éstas últimas forman parte de proyectos de divulgación científica y cuidado y protección del medio ambiente, tan necesarios en la actualidad.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E130052/index.html]]></link></item><item><title><![CDATA[Centenario de Luis Buñuel. El ojo de la libertad]]></title><description><![CDATA[Residencia de Estudiantes. Consejo Superior de Investigaciones Científicas, CSIC.<BR>
«La principal aportación del programa conjunto de la Filmoteca Española y la Residencia de Estudiantes en el centenario de Luis Buñuel consiste en la digitalización y difusión de su legado documental, y su incorporación al Archivo Virtual de la Edad de Plata (1868-1936).»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E126558/index.html]]></link></item><item><title><![CDATA[Centre Cinématographique Marocain]]></title><description><![CDATA[The Film Library preserves the national and international cinema's patrimony. ]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160606/index.html]]></link></item><item><title><![CDATA[Centre national de l'audiovisuel - Fonds d'archives]]></title><description><![CDATA[«Le CNA conserve actuellement près de 30.000 documents film et 10.000 documents vidéo.<BR>
La quasi-totalité des films professionnels et semi-professionnels connus a été restaurée et est archivée au CNA.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160557/index.html]]></link></item><item><title><![CDATA[Centro Buñuel de Calanda]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E165948/index.html]]></link></item><item><title><![CDATA[Centro Galego de Artes da Imaxe, CGAI - Patrimonio Audiovisual]]></title><description><![CDATA[«Un dos obxetivos fundamentais do CGAI é a salvagarda de todos aqueles documentos cinemetográficos, videográficos e fotográficos conformadores do patrimonio audiovisual galego tanto polos seus valores artísticos como documentais. Este departamento ten ó seu cargo a conservación, preservación, restauración de materiais dentro e fóra de Galicia que se poidan considerar de interese para a cultura galega.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160559/index.html]]></link></item><item><title><![CDATA[Cinema: how are Hollywood films made?]]></title><description><![CDATA[Learner.org<BR>
«Looking through the lens of a camera as actors bring to life a writer's story, the filmmaker is also peering into a world of imagination. The director, producer, actors, screenwriter, and film editor are all essential players in the journey from concept to finished film. In this remarkable process, thousands of small details&#8212;and often hundreds of people&#8212;come together to create a Hollywood film.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E137962/index.html]]></link></item><item><title><![CDATA[Cinemateca Boliviana]]></title><description><![CDATA[Archivo: «Contamos actualmente con 10200 títulos, de los cuales un 61% corresponde a material de origen boliviano, incluyendo importantes documentos históricos desde las primeras décadas del siglo.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160560/index.html]]></link></item><item><title><![CDATA[Cinemateca Brasileira]]></title><description><![CDATA[«Com cerca de 150 mil rolos que correspondem a mais de 30 mil títulos, o acervo da Cinemateca Brasileira constitui a maior coleção de filmes da América Latina. Esses títulos se referem a obras de ficção, documentários, cinejornais, publicidade e registros familiares, brasileiros e estrangeiros, abrangendo o período de 1895 até os dias de hoje.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160561/index.html]]></link></item><item><title><![CDATA[Cinemateca Portuguesa]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E171106/index.html]]></link></item><item><title><![CDATA[Cinémathèque française. Musée du Cinéma]]></title><description><![CDATA[«Fondée en 1936 par Henri Langlois, Georges Franju, Paul-Auguste Harlé et Jean Mitry, la Cinémathèque française est une association à but non lucratif dont la mission est de conserver et montrer au public le patrimoine cinématographique français et étranger sous toutes ses formes : les films, mais aussi tous les éléments significatifs de leur conception (scénarios, maquettes...), de leur fabrication (décors, costumes, appareils...), de leur diffusion (affiches, photographies...) et de leur accompagnement intellectuel (recherche historique, esthétique...).»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160605/index.html]]></link></item><item><title><![CDATA[Cinematheque of Macedonia]]></title><description><![CDATA[«The film and the film image, although it appears at the end of 19th century, actually marks the 20th century as a film century, century of visualization, and continues with great intensity in the dawn of the 21st century and the new millennium. In the frames of this "global" notes fits the Macedonian cinematography. As a sensation at the start, the traveling cinemas by the unknown Italian (and others) film & cinema adventurers through the Balkans, this phenomenon soon became the usual novelty that brought the world closer to our grandfathers and vice versa, it attracted the attention of the world toward Macedonia.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160652/index.html]]></link></item><item><title><![CDATA[Cinémathèque Royale de Belgique]]></title><description><![CDATA[«La Cinémathèque donne priorité absolue aux travaux élémentaires liés à la conservation des collections acquises: magasinage, pré-inventaire sur la nature et l'état physique des films, métrage, classement physique, tirage des contretypes de préservation et de positifs de projection, construction, aménagement, climatisation et entretien des dépôts.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160607/index.html]]></link></item><item><title><![CDATA[Cinémathèque suisse]]></title><description><![CDATA[«La Cinémathèque est un musée pour le cinéma. Elle n'abrite donc pas seulement des films suisses (cf. patrimoine national), mais collectionne globalement tout ce qui a trait au septième art en Suiss. Le centre d'archivage de Penthaz protège et couve 65&#8217;000 copies de films. 149 millions de mètres de pellicule. Plus de trois fois le tour de la Terre.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160608/index.html]]></link></item><item><title><![CDATA[Cinematografías de la semejanza]]></title><description><![CDATA[Centro Virtual Cervantes.<BR>
«...se propone un recorrido por la historia de una relación cinematográfica entre España e Hispanoamérica, a la vez que se profundiza en la proyección de estereotipos que resumen nuestra imagen del otro, y se ofrecen testimonios tanto de actores como de directores y de guionistas de las dos orillas. Ellos hablan de experiencias, lugares y memorias, al tiempo que explican sus lenguajes. Asimismo, se ofrece una galería de personajes vinculados a la cinematografía española e hispanoamericana, una filmoteca con fichas técnicas de las películas que se mencionan, así como una bibliografía selecta.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E126820/index.html]]></link></item><item><title><![CDATA[Cineteca del Friuli]]></title><description><![CDATA[«Archivio film: 3600 film di finzione a 16mm e 35mm, di corto e lungometraggio; 3300 documentari e cinegiornali su pellicola di vario formato (alcune pellicole esistono su supporti ormai obsoleti come il 9.5mm, l&#8217;8mm, il Super8, il 17mm).»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160611/index.html]]></link></item><item><title><![CDATA[Cineteca di Bologna]]></title><description><![CDATA[«L'archivio film conserva oltre 18.000 pellicole cinematografiche in 35 mm e 16 mm.<BR>
In soli quindici anni, l&#8217;archivio ha avuto una rapida evoluzione grazie ad una politica di acquisizione attenta alle esigenze di quanti hanno deciso di affidare alle cure di esperti documenti il cui supporto si deteriora con facilità.<BR>
Oltre a conservare le copie positive e i negativi dei film restaurati dalla Cineteca, l&#8217;archivio conserva fondi provenienti da produttori e distributori cinematografici, nonché da importanti collezionisti privati.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160609/index.html]]></link></item><item><title><![CDATA[Cineteca Nacional]]></title><description><![CDATA[«La Cineteca Nacional es el organismo gubernamental encargado rescatar, clasificar, conservar, restaurar, preservar y difundir la obra cinematográfica más destacada de México y el mundo. Fue fundada en 1974 y pertenece a la Secretaría de Educación Pública, a través del Consejo Nacional para la Cultura y las Artes.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160613/index.html]]></link></item><item><title><![CDATA[Cineteca Nazionale - Scuola Nazionale di Cinema]]></title><description><![CDATA[«Denominato Cineteca Nazionale nel 1949, l&#8217;archivio filmico del CSC aderisce, nello stesso anno, alla FIAF (Fédération Internationale des Archives du Film) e viene investito del compito di raccogliere, preservare e diffondere, a scopo di studio, un patrimonio di cui è ufficialmente riconosciuta la rilevanza culturale.<BR>
Grazie al deposito obbligatorio dei film di lungo e corto metraggio di produzione o coproduzione italiana, il patrimonio della SNC è oggi di circa 45.000 film, costituiti da una notevole collezione della cinematografia nazionale e dai titoli più significativi della storia del cinema mondiale (acquisiti grazie agli scambi con le cineteche della FIAF).»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160641/index.html]]></link></item><item><title><![CDATA[David Lean]]></title><description><![CDATA[The British Film Institute.<BR>
«This site shows highlights from the David Lean collections across the bfi, and provides a full catalogue of the David Lean Archive held in Special Collections at the bfi National Library.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160659/index.html]]></link></item><item><title><![CDATA[Défense contemporaine]]></title><description><![CDATA[Médiathèque de la Défense. Collection photos.<BR>
«Les grands bouleversements géopolitiques des trois dernières décennies ont modifié la politique de défense française, les matériels et les unités. Les tournages et les productions de l'ECPAD s'en font l'écho à travers différents types de documents : films documentaires, films d'instruction, films d'information, ou encore des films d'actualité ("Armées d'aujourd'hui ", " Magazine Horizon ", " Magazine Armées 2000 ", " Magazine Top Défense "), diffusés de façon régulière à la télévision.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160625/index.html]]></link></item><item><title><![CDATA[Étienne-Jules Marey: le mouvement en lumière]]></title><description><![CDATA[Ministère de la Culture et de la Communication.<BR>
Musées imaginaries.<BR>
«Marey n&#8217;a jamais cherché à créer le spectacle cinématographique. Son assistant Demenÿ, au contraire, y songe fortement, mais échoue dans ses tentatives. En 1895, les Lumière profitent de la brèche ouverte par Marey, Demenÿ et Edison, où s&#8217;engouffrent également une foule d&#8217;autres " nouveaux venus " &#8211; Louis Lumière se baptisera lui-même ainsi, dans un moment de lucidité, pour désigner son rôle exact dans cette affaire. Le cinéma devient d'ailleurs très vite un enjeu économique et les brevets réclamant la primeur de l'invention prolifèrent. Marey doit observer avec dégoût cette bataille d'orpailleurs qui se mène en 1895.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E138331/index.html]]></link></item><item><title><![CDATA[European foundation Joris Ivens]]></title><description><![CDATA[«The Foundation is the keeper of the Joris Ivens Archives (about 200.000 documents: scripts, letters, diaries, official papers, etc.), the Hans Wegner Collection (60.000 documents), the Marceline Loridan Collection, the Marion Michelle Collection, the Ewa Fiszer Collection, the Hans Ivens Collection, the Miep Balguérie-Guérin Collection, and others.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160626/index.html]]></link></item><item><title><![CDATA[Film Archiv Austria]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160629/index.html]]></link></item><item><title><![CDATA[Film Work]]></title><description><![CDATA[By Eli Reed. 2000.<BR>
The Digital Journalist.<BR>
«On the set, he studies the way directors shape the story, and learns from the writers, the directors of photography, and the actors. At the same time, the movie makers are learning from Eli. Robert Altman commissioned Eli to do a portfolio on musicians for his film Kansas City.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160832/index.html]]></link></item><item><title><![CDATA[Filmmuseum]]></title><description><![CDATA[«The Filmmuseum originates from the Dutch Historical Film Archive, founded in 1946 to preserve the film heritage. The collections reflect the diversity and international orientation of Dutch filmculture. The main focus is on early cinema, Dutch productions and international art cinema. Since 1946 the collections have increased to 52 million meters of film, 40.000 posters, 400.000 pictures and thousands of objects. Nowadays, the largest increase comes from the deposit of prints and publicity material by Dutch distributors.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160630/index.html]]></link></item><item><title><![CDATA[Filmmuseum Berlin - Deutsche Kinemathek]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160631/index.html]]></link></item><item><title><![CDATA[Filmoteca de Andalucía]]></title><description><![CDATA[«Preservación del Patrimonio Audiovisual.<BR>
Esta función conlleva la localización recuperación y conservación del patrimonio audiovisual andaluz mediante la formación de técnicos en la búsqueda y tratamiento de los materiales y el fomento de los depósitos. Este incremento de los fondos se realizará mediante la adquisición, la reclamación de las copias ganadoras en los principales festivales donde intervenga la Consejería de Cultura, el seguimiento de todos los festivales que se celebren en Andalucía y el depósito obligatorio de las copias subvencionadas por la Consejería de Cultura.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160633/index.html]]></link></item><item><title><![CDATA[Filmoteca de Catalunya]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160635/index.html]]></link></item><item><title><![CDATA[Filmoteca de la UNAM]]></title><description><![CDATA[Universidad Nacional Autónoma de México.<BR>
«La Filmografía mexicana es una base de datos desarrollada por el Departamento de Catalogación de la Filmoteca de la UNAM, la cual incluye la ficha técnica de más de 12,000 títulos de películas producidas en México desde el año de 1896 hasta la fecha.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160636/index.html]]></link></item><item><title><![CDATA[Filmoteca Vasca]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160627/index.html]]></link></item><item><title><![CDATA[Fondazione Federico Fellini]]></title><description><![CDATA[«Si prevede che lo spazio in un futuro molto prossimo diventi un vero e proprio Museo, con l'esposizione permanente dei disegni originali del maestro, dei premi, della biblioteca personale, di video, di costumi ed elementi di scenografie dei suoi film. E del libro dei sogni, il preziosissimo reperto che la Fondazione sta acquisendo e che contiene la documentazione della produzione onirica di Fellini di oltre vent'anni, da lui stesso illustrata con testi e disegni.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160643/index.html]]></link></item><item><title><![CDATA[Fototeca]]></title><description><![CDATA[Cineteca del Friuli.<BR>
«L&#8217;archivio fotografico della Cineteca del Friuli è composto di 60.000 immagini di soggetto cinematografico o relative al mondo dello spettacolo. Si tratta di stampe di vario formato (in maggioranza 18 x 24), in bianco e nero e a colori, aventi come soggetto attori e attrici del cinema americano ed europeo (italiani, francesi, inglesi), della televisione; negativi (in maggioranza in 35mm) in bianco e nero e a colori; foto di scena e di set; immagini pubblicitarie; telefoto e diapositive a colori di grande formato (6 x 6). Il materiale disponibile si riferisce in particolare agli anni &#8216;10 e &#8216;20, e anni '50, '60, '70.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160612/index.html]]></link></item><item><title><![CDATA[Francociné]]></title><description><![CDATA[Collections numérisées de Rescol, Industrie Canada.<BR>
«En mai 1995, la Fédération culturelle canadienne-française entamait des démarches afin de faire connaître la création artistique issue des communautés canadiennes-françaises par le biais de WWW. Francociné est une des idées qui en découle.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E136797/index.html]]></link></item><item><title><![CDATA[From Nanook to Oumimag]]></title><description><![CDATA[Cinémathèque Québécoise; National Film Board of Canada; The Film Reference Library, a division of the Toronto International Film Festival Group; Pacific Cinematheque; Canada Science and Technology Museum.<BR>
«...virtual exhibition about documentary film in Canada prepared by the Cinémathèque québécoise. It is historical, informative and even encyclopaedic.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E136149/index.html]]></link></item><item><title><![CDATA[Fundación Patrimonio Fílmico Colombiano]]></title><description><![CDATA[«La Fundación Patrimonio Fílmico Colombiano tiene como principal objetivo la conformación de un archivo nacional audiovisual, para lo cual realiza labores de búsqueda y recuperación, tanto de registros visuales y sonoros, como de los demás elementos que conforman el patrimonio audiovisual colombiano. En consecuencia, gestiona la preservación y conservación de estos documentos, y el acceso público a los mismos.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160644/index.html]]></link></item><item><title><![CDATA[Gallery]]></title><description><![CDATA[Harvard Film Archive.<BR>
«A selection of images from the history of the Archive, the filmmakers who have visited the HFA, and the McMillan and Stewart Award for Distinguished Filmmaking.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160646/index.html]]></link></item><item><title><![CDATA[Guerres de décolonisation]]></title><description><![CDATA[Médiathèque de la Défense. Collection photos.<BR>
«Cette collection regroupe des films concernant la guerre d'Indochine (1945-1954), la guerre d'Algérie (1954-1962) et l'affaire de Suez (1956).»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160624/index.html]]></link></item><item><title><![CDATA[Harvard Film Archive]]></title><description><![CDATA[«The Harvard Film Archive (HFA) and Cinematheque, which is part of the Harvard University Faculty of Arts and Sciences, is a non-profit organization located at the landmark Carpenter Center right across from the Harvard Yard. The facility includes a 210-seat theater with the ability to project film and video with state-of-the-art equipment.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160645/index.html]]></link></item><item><title><![CDATA[Historia y crítica del cine español]]></title><description><![CDATA[Biblioteca Virtual Miguel de Cervantes.<BR>
Universidad de Alicante.<BR>
«Está dedicado a la divulgación e investigación relacionadas con la Historia del cine español y tiene como objetivo la edición digital de materiales bibliográficos y gráficos dedicados al Séptimo Arte en España.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E159442/index.html]]></link></item><item><title><![CDATA[Hollywood Noir: Satirical Photographs by Will Connell]]></title><description><![CDATA[University of California, Riverside / California Museum of Photography.<BR>
«In 1937 Will Connell published a book entitled In Pictures: A Hollywood Satire, which through razor sharp physical irony and insider humor presented biting satirical collages of the Hollywood industry.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E161068/index.html]]></link></item><item><title><![CDATA[Hong Kong Film Archive]]></title><description><![CDATA[«The Archive started operation in 1993, when its Planning Office was established by the then Urban Council. Besides conducting campaigns to secure and preserve films and related materials, it also launched a series of publications as well as presenting film programmes and exhibitions. Upon the dissolution of the Urban Council, the Archive became a part of the Leisure and Cultural Services Department in 2000.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160647/index.html]]></link></item><item><title><![CDATA[Images de la culture]]></title><description><![CDATA[Centre national de la cinématographie.<BR>
«Le fonds CNC - Images de la culture est un catalogue de films documentaires. Il s'adresse aux organismes culturels, sociaux ou éducatifs, structures très variées comme des lieux de spectacles, des établissements scolaires, des bibliothèques publiques, des musées, des lieux de formation, des écoles d'art, des festivals... tous ceux qui mènent une action culturelle en contact direct avec le public.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160551/index.html]]></link></item><item><title><![CDATA[Imperial War Museum, Film and Video Archive]]></title><description><![CDATA[«The Film and Video Archive holds some 120 million feet of film and 6,500 hours of video tape. A large proportion of material has been transferred to the Museum from the Services and other public bodies as the Archive is the official repository for such public record films.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160628/index.html]]></link></item><item><title><![CDATA[Inventing Entertainment: the Early Motion Pictures and Sound Recordings of the Edison Companies]]></title><description><![CDATA[Library of Congress.<BR>
«Prolific inventor Thomas Alva Edison (1847-1931) has had a profound impact on modern life. In his lifetime, the "Wizard of Menlo Park" patented 1,093 inventions, including the phonograph, the kinetograph (a motion picture camera), and the kinetoscope (a motion picture viewer). Edison managed to become not only a renowned inventor, but also a prominent manufacturer and businessman through the merchandising of his inventions. The collections in the Library of Congress's Motion Picture, Broadcasting and Recorded Sound Division contain an extraordinary range of the surviving products of Edison's entertainment inventions and industries. This site features 341 motion pictures, 81 disc sound recordings, and other related materials, such as photographs and original magazine articles. Cylinder sound recordings will be added to this site in the near future. In addition, histories are given of Edison's involvement with motion pictures and sound recordings, as well as a special page focusing on the life of the great inventor.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160230/index.html]]></link></item><item><title><![CDATA[Irish Film Archive]]></title><description><![CDATA[«The Irish Film Archive is part of the Irish Film Institute, which operates from its premises, in the heart of Dublin&#8217;s cultural quarter, Temple Bar. As the national body with responsibility for the promotion of film culture in Ireland, the Institute has three core areas of activity: the maintenance of the Irish Film Archive, two cinemas and a successful education department.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160649/index.html]]></link></item><item><title><![CDATA[Israel Film Archive - Jerusalem Cinematheque]]></title><description><![CDATA[«The Israel Film Archive contains over 19,000 film prints and 50,000 cans of negatives - from Hollywood classics, feature films; documentaries; restored negatives; animation; short subject; Jewish interest films from all over the world, to Israeli films, past and present. Singularly one of the most important historical Israeli film collections is the Nathan Axelrod Carmel Newsreels (1927 - 1958), which have been transferred to the archive by the government for preservation in the humidity and temperature controlled vaults.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160650/index.html]]></link></item><item><title><![CDATA[Korean Film Archive]]></title><description><![CDATA[«The Korean Film Archive is the only film-archiving organization that acquires and preserves films as well as visual materials of the nation that, as a part of Korea's precious cultural heritages, have mirrored the past century and still carry historical and cultural value. Succeeding the non-profit organization with the same name which was founded on January 18, 1974 to collect and preserve films and visual materials, the Korean Film Archive was reborn as a government-affiliated public foundation on June 10, 2002. The KOFA is making every effort to solidify its foundation and expand the scope of activities so that the Korean film heritages can be permanently preserved under favorable environments.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160653/index.html]]></link></item><item><title><![CDATA[Krasnogorsk?]]></title><description><![CDATA[Russian Archives Online.<BR>
«The Russian State Documentary Film & Photo Archive is located in the town of Krasnogorsk, which is located outside of Moscow. This archive holds film footage dating back to Nicholas II's coronation, and photographs and photo albums from the 1850s onward.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160472/index.html]]></link></item><item><title><![CDATA[La Cinémathèque québécoise]]></title><description><![CDATA[«La Cinémathèque québécoise est un lieu
de diffusion moderne qui a le mandat de conserver, documenter et mettre en valeur le patrimoine cinématographique et télévisuel national et international.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160655/index.html]]></link></item><item><title><![CDATA[La vie des armées (1945-2001)]]></title><description><![CDATA[Médiathèque de la Défense. Collection photos.<BR>
«Les reportages effectués en France depuis 1946 par les photographes du SCA (Service cinématographique des armées), devenu ECA (Etablissement cinématographique des armées) en 1961, ECPA (Etablissement cinématographique et photographique des armées) en 1969 puis ECPAD (Etablissement de communication et de production audiovisuelle de la défense) en 2001, couvrent la vie des armées dans ses aspects les plus divers. Ce fonds important, riche de plusieurs centaines de milliers de clichés,...»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160620/index.html]]></link></item><item><title><![CDATA[La villa Lumière, rue du Premier-Film (Lyon, Rhône)]]></title><description><![CDATA[Ministère de la Culture et de la Communication.<BR>
Itinéraires du Patrimoine.<BR>
«La villa Lumière est le dernier témoin, à Lyon, de l'ascension sociale et de la formidable réussite industrielle d'Antoine Lumière, peintre et photographe, et de ses deux fils aînés, Auguste et Louis, inventeurs du cinématographe. De l'usine attenante, implantée dans le quartier de Montplaisir à partir de 1882, ne subsiste que le hangar, cadre du premier film, "La sortie des usines Lumière". Le château Lumière, ainsi nommé dès l'origine par les habitants du quartier, est l'ultime création architecturale d'Antoine Lumière. A l'instar de nombreux industriels, il se fait élever à la périphérie de Lyon une imposante maison de maître à la fois confortable et proche des ateliers.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E138550/index.html]]></link></item><item><title><![CDATA[Luis Buñuel. "Un chien andalou" - "L'Âge d'or"]]></title><description><![CDATA[Centre Pompidou.<BR>
«Le jeune Luis Buñuel, l&#8217;auteur d&#8217;Un chien andalou, n&#8217;est pas un surréaliste; du moins ne l&#8217;est-il pas encore au moment où il tourne et présente son film. &#8220;À vrai dire, dans les premiers temps, le surréalisme m&#8217;intéressait assez peu&#8221; devait-il écrire plus tard.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E161883/index.html]]></link></item><item><title><![CDATA[Luis Buñuel (1900-2000)]]></title><description><![CDATA[Gobierno de Aragón.<BR>Incluye una cronología detallada, una exhaustiva relación de su filmografía y una extensa bibliografía.]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E126779/index.html]]></link></item><item><title><![CDATA[Mack Sennett: Basement Beauties]]></title><description><![CDATA[University of California, Riverside / California Museum of Photography.<BR>
«A showcase of early 20th Century swimsuit photography, drawn from a portfolio that includes dozens of Mack Sennett photographs featuring Hollywood actors and starlets, ca. 1915.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E161073/index.html]]></link></item><item><title><![CDATA[Musée Lumière]]></title><description><![CDATA[Institut Lumière.<BR>
«Le musée Lumière offre au visiteur un parcours esthétique, scientifique et historique sur l'histoire de l'invention du Cinématographe par Louis Lumière en 1895.<BR>
La collection d'appareils anciens de la Ville de Lyon acquise en 2003 comporte d'incontournables chefs d'&#339;uvre techniques. Parmi eux, le Cinématographe dit "n°1", celui qui projeta les dix premiers films le soir du 28 décembre 1895 au Grand Café à Paris devant 33 curieux qui devinrent les premiers spectateurs. Cette collection a été rassemblée par le docteur Paul Génard et se mêle avec celle de l'Institut Lumière.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160648/index.html]]></link></item><item><title><![CDATA[Museo de la Palabra y la Imagen ]]></title><description><![CDATA[«... es una iniciativa ciudadana dedicada a investigar, rescatar, preservar y mostrar al público elementos de la cultura y la historia de El Salvador.<br>
Posee un Archivo con colecciones de fotografía, audio, cine, video, afiches, objetos y publicaciones entregados al museo por la entusiasta colaboración de la sociedad, la cual ha respondido a nuestro llamado "contra el virus de la desmemoria".»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E129627/index.html]]></link></item><item><title><![CDATA[Museo del Cine - Colección Tomàs Mallol]]></title><description><![CDATA[Fundació Museu del Cinema-Col·lecció Tomàs Mallol. Ajuntament de Girona.<BR>
«La Colección Tomàs Mallol se compone aproximadamente de 20.000 unidades. A parte de los casi 8.000 objetos, aparatos y accesorios precinematográficos y del cine de los primeros tiempos, hay que destacar cerca de 10.000 documentos con imágenes fijas (fotografías, carteles, grabados, dibujos y pinturas), 800 films de todo tipo y una biblioteca con más de 700 libros y revistas. Los objetos reunidos se enmarcan en el periodo comprendido entre mediados del siglo XVII y 1970, aunque la parte más importante de la colección puede datarse entre la segunda mitad siglo XVIII y el primer tercio del siglo XX.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E127575/index.html]]></link></item><item><title><![CDATA[Museo del Cinema - Collezioni della Cineteca Italiana]]></title><description><![CDATA[«Il Museo del Cinema della Fondazione Cineteca Italiana di Milano, fondato nel 1987 da Gianni Comencini e Walter Alberti, raccoglie i più importanti documenti che testimoniano le tappe salienti nell'evoluzione del cinematografo.
Vi si trovano, tra le altre cose, pellicole ed apparecchi dei fratelli Lumière, disegni e manoscritti di Georges Méliès, film e proiettori del cinema milanese, italiano ed internazionale dalle origini ad oggi.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160642/index.html]]></link></item><item><title><![CDATA[Museo diffuso della Resistenza, della deportazione, della Guerra, dei Diritti e della Libertà]]></title><description><![CDATA[«Il Museo diffuso della Resistenza, della Deportazione, della Guerra, dei Diritti e della Libertà è stato inaugurato il 30 maggio 2003, negli spazi interamente restaurati del palazzo juvarriano dei Quartieri Militari.
Lo stesso edificio ospita le nuove sedi dell'Archivio Nazionale Cinematografico della Resistenza (ANCR) e dell'Istituto piemontese per la storia della Resistenza e della società contemporanea (ISTORETO), due istituti i cui archivi costituiscono un patrimonio unico per lo studio del Novecento.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E159979/index.html]]></link></item><item><title><![CDATA[Museo Nazionale del Cinema]]></title><description><![CDATA[«Dal luglio 2000 il Museo Nazionale del Cinema è aperto al pubblico nel monumento simbolo della città di Torino, la Mole Antonelliana. Il percorso espositivo ha una superficie complessiva DI 3.200 metri quadrati ed è articolato su cinque livelli: l'Archeologia del Cinema, la Macchina del Cinema, la Collezione dei Manifesti, le Video installazioni e la grande Aula del Tempio.
Il Museo propone, in un allestimento spettacolare, gli oggetti della ricca collezione della Fondazione Maria Adriana Prolo: lanterne magiche, scatole ottiche, fotografie, disegni, bozzetti e molti altri oggetti curiosi.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E159982/index.html]]></link></item><item><title><![CDATA[Museo Nazionale del Cinema]]></title><description><![CDATA[«Le collezioni museali sono costituite dalle raccolte dedicate all'archeologia del cinema (Collezione Prolo, Collezione Barnes), alla storia della fotografia (apparecchi e accessori, documenti fotografici) e alle raccolte di cinema (manifesti e corredi pubblicitari, documenti fotografici, apparecchi e accessori, materiali di scena, raccolta di incisioni e registrazioni sonore).»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160182/index.html]]></link></item><item><title><![CDATA[Museu da Imagem em Movimento]]></title><description><![CDATA[«O m|i|mo, surge em 1995, com uma exposição comemorativa dos 100 anos do Cinema. O objectivo era mostrar a evolução da cinematografia. No final da exposição, constatou-se a inexistência de uma estrutura com o objectivo de salvaguardar objectos ligados à memória do cinema como espectáculo. As peças que constituem o acervo do museu são o resultado de um trabalho de recolha que caracterizou os primeiros anos do m|i|mo. Existem doações significativas de particulares que conhecendo o projecto, nos ajudaram a consolidar algumas áreas e a criar um projecto mais coerente.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E159576/index.html]]></link></item><item><title><![CDATA[National Film Archive of Iceland]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160654/index.html]]></link></item><item><title><![CDATA[National Film Library]]></title><description><![CDATA[«Tha National Film Library is a film archive established in 1955 to protect the national cultural heritage related to films and cinematography. It is the only institution of that type in Poland. It is subordinate to the Ministry of Culture and National Heritage and directly to the President of the Committee of Cinematography.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160640/index.html]]></link></item><item><title><![CDATA[On Film]]></title><description><![CDATA[The National Archives of England, Wales and the United Kingdom.<BR>
«View historical films ranging from the beach at Folkestone in 1904 to the war zone of Vietnam in 1969.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160444/index.html]]></link></item><item><title><![CDATA[Origins of American Animation]]></title><description><![CDATA[Library of Congress.<BR>
«The development of early American animation is represented by this collection of 21 animated films and 2 fragments, which spans the years 1900 to 1921. The films include clay, puppet, and cut-out animation, as well as pen drawings. They point to a connection between newspaper comic strips and early animated films, as represented by Keeping Up With the Joneses, Krazy Kat, and The Katzenjammer Kids. As well as showing the development of animation, these films also reveal the social attitudes of early twentieth-century America.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160316/index.html]]></link></item><item><title><![CDATA[Première guerre mondiale]]></title><description><![CDATA[Médiathèque de la Défense. Collection photos.<BR>
«Les douze films présentés ici pour illustrer la Première Guerre mondiale sont tous extraits du fonds cinématographique " 14.18 " ; ce sont des films montés, non des rushes (épreuves de tournage), témoignant d'une volonté de " médiatiser " la guerre pour informer et proposer une représentation visuelle du conflit.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160622/index.html]]></link></item><item><title><![CDATA[Premiers pas vers le cinéma]]></title><description><![CDATA[Bibliothèque du Film.<BR>
«En réponse à l?appel à projet de numérisation de fonds patrimoniaux, lancé par le Ministère de la Culture et de la Communication en 2001, la BiFi a lancé la numérisation de fonds photographiques anciens dont les planches et photographies d?Étienne Jules Marey et Eadweard James Muybridge. A cause de leur préciosité et de leurs dimensions, ces documents, et notamment les 689 planches de Human and Animal Locomotion de Muybridge, étaient jusqu?alors difficilement consultables par les lecteurs de la BiFi. Leur numérisation permet donc aujourd?hui la découverte par un large public d?un fonds peu ou pas connu.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160556/index.html]]></link></item><item><title><![CDATA[Russian State Documentary Film & Photo Archive at Krasnogorsk ]]></title><description><![CDATA[«The Krasnogorsk Archive's film collection documents the entire history of Russian filmmaking, beginning with footage of the 1896 coronation of Czar Nicholas II shot by Kamill Serf, a cameraman for the pioneering Lumiere Brothers. Compiling another 1,000 films before 1917, the Archive was then nationalized and became the repository of all films documenting the October Revolution and events that followed. Known then as the Central Film and Photo Archive, the collection was installed on the grounds of the Lefortov Palace in 1928, and in 1936 was moved to its present location in the town of Krasnogorsk near Moscow.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160377/index.html]]></link></item><item><title><![CDATA[Seconde guerre mondiale]]></title><description><![CDATA[Médiathèque de la Défense. Collection photos.<BR>
«Deux catégories de films constituent cette collection consacrée à la Seconde Guerre mondiale : les films français d'actualité et les films de synthèse.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160623/index.html]]></link></item><item><title><![CDATA[Sergei Eisenstein ]]></title><description><![CDATA[Russian Archives Online.<BR>
«Born on Jan 23, 1898 in Riga, Latvia, Sergei Mikhaylovich Eisenstein was to become one of the most world-renowned filmmakers of the first half of the 20th century. Eisenstein was of Jewish descent through his paternal grandparents. His father worked in shipbuilding, until 1910, when the family moved to St. Petersburg, where his training as an architect and engineer had a great influence on his future filmmaking.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160482/index.html]]></link></item><item><title><![CDATA[Statut et Pouvoirs du Narrateur]]></title><description><![CDATA[Centre Pompidou.<BR>
«Les premiers films des frères Lumière &#8211; qu&#8217;il s&#8217;agisse de La Sortie des usines ou de L&#8217;Arrivée d&#8217;un train, films que sans doute tout le monde a vus un jour ou l&#8217;autre - enregistraient des moments de la vie réelle. On peut dire que le cinéma est ainsi né sous le signe de ce qui, plus tard, sera appelé le "documentaire". La Sortie des usines, le tout premier de leurs films ne raconte en principe rien, il se contente de montrer un épisode de la vie quotidienne d&#8217;une banalité confondante. Pourtant, dans la mesure où cette sortie d&#8217;usine se déroule non plus dans la réalité mais sur un écran, elle prend une tout autre dimension et change de nature; et on peut légitimement dire que ce premier film de l&#8217;histoire du cinéma "raconte" une sortie d&#8217;ouvriers à l&#8217;heure du déjeuner.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E161884/index.html]]></link></item><item><title><![CDATA[The Bill Douglas Centre for the History of Cinema and Popular Culture]]></title><description><![CDATA[University of Exeter.<BR>
«Founded in 1994, the Centre contains an enormous collection relating to the history of film and visual media. From shadow puppets to Shirley Temple dolls, from magic lanterns to Marilyn Monroe postcards, there should be something to fascinate every visitor.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E138875/index.html]]></link></item><item><title><![CDATA[The British Film Institute]]></title><description><![CDATA[«The bfi was established in 1933 to promote greater understanding, appreciation and access to film and television culture.<BR>
We are the custodians of the largest film archive in the world and are a world leader in film restoration and preservation.<BR>
In addition to our archive, we run the internationally renowned National Film Theatre and London Film Festival, the bfi IMAX Cinema, and the world's largest film library and educational resource.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160656/index.html]]></link></item><item><title><![CDATA[The Early Films of Peter Greenaway]]></title><description><![CDATA[The British Film Institute.<BR>
«This site showcases the work of Peter Greenaway: from his provocative early shorts (1973-1978) to the feature films that marked his arrival as a significant avant-garde director.»]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160657/index.html]]></link></item><item><title><![CDATA[The Last Days of a President: Films of McKinley and the Pan-American Exposition, 1901]]></title><description><![CDATA[Library of Congress.<BR>
«The twenty-eight films of this collection are actuality motion pictures from the Paper Print Collection of the Library of Congress. They include footage of President William McKinley at his second inauguration; of the Pan-American Exposition in Buffalo, New York; of President McKinley at the Pan-American Exposition; and of President McKinley's funeral. The films were produced by the Edison Manufacturing Company from March to November 1901. The company, founded by inventor Thomas Alva Edison, operated from 1893 to 1917.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160326/index.html]]></link></item><item><title><![CDATA[The Life of a City: Early Films of New York, 1898-1906]]></title><description><![CDATA[Library of Congress.<BR>
«This collection contains forty-five films of New York dating from 1898 to 1906 from the Paper Print Collection of the Library of Congress. Of these, twenty-five were made by the American Mutoscope and Biograph Company, while the remaining twenty are Edison Company productions.»
]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160258/index.html]]></link></item><item><title><![CDATA[The Light Factory]]></title><description><![CDATA[]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160138/index.html]]></link></item><item><title><![CDATA[The National Museum of Photography, Film & Television]]></title><description><![CDATA[Bradford, West Yorkshire.<BR>
«The Museum's renowned collection includes more than three million items of historical, social and cultural value. These include three key 'firsts': the world's first negative, the earliest television footage and what is regarded as the world's first example of moving pictures &#8211; Louis Le Prince's 1888 film of Leeds Bridge.»<BR>
<A HREF="http://www.nmsi.ac.uk/index.asp?flash=yes" TARGET="TOP">National Museum of Science & Industry - NMSI</A>]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E129099/index.html]]></link></item><item><title><![CDATA[Yugoslav Film Archive]]></title><description><![CDATA[«Yugoslav Film Archives (official title since 1952) is the national film library of the Republic of Serbia, founded in 1949 as The Central Film Archives of the Yugoslav Film Library. Its status varied during the years; according to the Law on the Protection of the Monuments of Culture it is ranked today as an institution of special importance for the Republic of Serbia. It consists of four organization units: the Film Library of the Yugoslav Film Archives , the Yugoslav Film Archives Museum - the cinema, the Library and General Services.»<BR>
<A HREF="http://www.kinoteka.org.yu/index2.htm" TARGET="TOP">Museum</A>]]></description><link><![CDATA[http://www1.universia.net/CatalogaXXI/C10055PPESII1/E160651/index.html]]></link></item></channel></rss>