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| Museu do Chiado | ||
| «Fundado em 1911, encontra-se instalado na ala poente do antigo convento de S. Francisco. Remodelado em 1994, segundo projecto do arquitecto francês Jean-Michel Wilmotte, reúne colecções de pintura e escultura de 1850 a 1960. Oferece um percurso pelos principais movimentos artísticos contemporâneos em Portugal, como o Romantismo, o Naturalismo, o Modernismo, o Neo-Realismo, o Surrealismo e o Abstraccionismo. De entre as obras mais representativas, destacam-se "A Charneca de Belas" de Silva Porto, "Concerto de Amadores" de Columbano, "Brut 300 TSF" de Amadeo de Souza-Cardoso e "Menino e Varina" de Mário Eloy.»
Portugal |
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| Museu dos Biscaínhos | ||
| Instituto Português de Museus. «O Museu dos Biscaínhos encontra-se instalado num notável conjunto patrimonial formado pelo Palácio do mesmo nome, fundado no século XVII e ampliado e enriquecido no século XVIII, sendo complementado por um magnífico Jardim Histórico, com zona de pomar e horta. Como componente programática, o museu ilustra a vivência da sociedade nobre portuguesa, no contexto de uma Casa Senhorial dos séculos XVII e XVIII. O espólio do museu, maioritariamente constituído por doações de particulares, enquadra colecções de artes decorativas e núcleos de pintura e escultura. O acervo museológico articulado com a estrutura e riqueza ornamental do conjunto, permite definir os conteúdos mais marcantes dos hábitos domésticos e sociais da época.» Portugal |
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| Musée d'art de Joliette | ||
| Canada's Digital Collections. Government of Canada. «Constituée à partir des années quarante, la collection du Musée est réputée pour la qualité du panorama qu'elle offre de l'art canadien et québécois du XIXe et XXe siècles ainsi que pour un important volet d'art sacré d'origine européenne (Moyen Âge et Renaissance) et québécoise (du XVIIIe au XXe siècle). La présence de l'art sacré reflète les origines religieuses du Musée, fondé sous l'impulsion des Clercs de Saint-Viateur, communauté enseignante installée à Joliette.» Canadá |
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| National Portrait Gallery | ||
| «La National Portrait Gallery (Galería Nacional de Retratos) alberga la mayor colección de retratos del mundo incluyendo a hombres y mujeres célebres británicos que han hecho historia desde la Edad Media hasta la actualidad. Se exhiben más de 1.300 retratos en tres plantas, desde Enrique VIII y Florence Nightingale hasta los Beatles y S.M. la Reina. La colección se exhibe en orden cronológico, comenzando con los primeros retratos de los Tudor en el segundo piso, los siglos XVI, XVII y XVIII, pasando por los victorianos y el principio del siglo XX en el primer piso y acabando con la parte más contemporánea de la colección en la planta baja.» Reino Unido |
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| Nel segno di Masaccio. L'invenzione della prospettiva | ||
| Istituto e Museo di Storia della Scienza. «La Trinità di Masaccio in Santa Maria Novella è giustamente considerata una sorta di manifesto della pittura prospettica rinascimentale ed è intorno a quest'opera che si articolano le sezioni della mostra, a cominciare dalle esperienze pittoriche del Trecento fiorentino e senese e dalle riflessioni teoriche e pratiche sul fenomeno della visione e sulle sue applicazioni geometriche.» Italia |
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| Nicolas de Staël | ||
| Centre Pompidou. «Personnalité à la fin tragique, le peintre occupe, dans l’art de l’après-guerre, une place unique. Dépassant l’opposition “abstraction-figuration” qui caractérise alors le monde de l’art, il suscite controverses et passion. Il acquiert très tôt une célébrité internationale puis l’intérêt d’un public de plus en plus vaste.» Francia |
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| O Museu | ||
| Universidade do Porto. Faculdade de Belas Artes «O acervo do Museu da FBAUP apresenta características particulares que o distinguem das colecções habitualmente encontradas em museus de arte, dado ser composto essencialmente por trabalhos elaborados durante o período de aprendizagem e formação dos artistas, ou por provas de concurso de docentes com vista ao avanço na carreira. De entre os trabalhos executados pelos milhares de alunos que passaram por esta instituição, foram guardados os considerados mais representativos e de melhor qualidade, pelo que hoje se pode afirmar que a colecção inclui obras de grande interesse não só artístico como histórico. Na verdade não será possível elaborar um estudo sobre o ensino da arte em Portugal, sem analisar detalhadamente estas obras, como não se poderá excluí-las de qualquer monografia séria dedicada ao trabalho de algum dos artistas representados. A colecção integra obras de Pintura, Desenho e Escultura» Portugal |
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| One Hundred Aspects of the Moon: Japanese Wood Block Prints by Yoshitoshi | ||
| Museum of International Folk Art. «Yoshitoshi’s series, One Hundred Aspects of the Moon, completed shortly before his death in 1892, epitomizes the restraint and subtlety that define his later work. Against a backdrop of a national policy of westernization during the rule of the Meiji emperor (1868-1912), Yoshitoshi offered his audience a pilgrimage to Japan’s glorious past. Published between 1885 and 1892, this series of 100 individual woodblock prints depicts figures from Japanese and Chinese legend, history, literature, folklore and theater. Each subject is captured at a moment in time and held suspended by a poetic dialogue with the moon.» EEUU - inglés Japón |
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| Orazio Gentileschi in Genoa: Paintings for the Palazzo Sauli | ||
| John Paul Getty Museum. «The Italian painter Orazio Gentileschi (1563?1639) was the most innovative follower of Caravaggio (1571?1610), whose emphasis on realism and dramatic lighting revolutionized painting in the early 1600s. Gentileschi adopted Caravaggio's methods, including the practice of working directly from posed models, but he tempered realism with his own lyrical sense of beauty.» Italia |
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| Pablo Picasso | ||
| Centre Pompidou. «Le parcours artistique de Picasso est l’un des plus riches de toute l’histoire de l’art du XXe siècle. Tour à tour enfant prodige, peintre maudit, artiste mondain, sculpteur, graveur, céramiste, il collabore à presque tous les grands mouvements et tendances qui ont contribué à redéfinir les pratiques artistiques. Au début du siècle, il invente en compagnie de Georges Braque de nouvelles conventions picturales pour représenter l’espace de la perception, le cubisme. Dans les années 20, il participe au mouvement de “retour à l’ordre” qui réévalue l’héritage académique, puis renoue avec les avant-gardes en se rapprochant du surréalisme, auquel il apporte de riches innovations dans le domaine de la sculpture. Il réalise aussi bien de menus objets de papiers pliés, des jouets pour amuser ses enfants, des céramiques, des lithographies qui illustrent les livres de ses amis poètes, que des monuments publics ou des toiles immenses comme Guernica. A la fin de sa vie, il pose les bases d’un expressionnisme ludique, cocasse et provocateur, au style volontairement négligé qui se veut le témoin d’un appétit de vivre, repris en France dans les années 80 notamment par Robert Combas du mouvement de la figuration libre. Cette œuvre hétérogène témoigne de la vitalité d’un touche-à-tout spontanément artiste qui intègre tout ce qu’il aime à son art : non seulement ses compagnes, ses enfants, mais aussi le cirque, la tauromachie, l’Espagne, la politique… jusqu’aux objets de pacotille soigneusement conservés que l’on retrouve assemblés dans ses sculptures.» España Francia |
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| Painting on Light: Drawings and Stained Glass in the Age of Dürer and Holbein | ||
| John Paul Getty Museum. «Rivaling oil painting in importance during the late Gothic and Renaissance periods, the art of stained glass attracted many of Germany and Switzerland's greatest artists. This installation offers a unique opportunity to view the milestones of German and Swiss stained glass—both preparatory drawings and the windows that resulted—through works generously lent by collections throughout the United States and Europe.» Europa |
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| Panoramas: The North American Landscape in Art | ||
| Canadian Heritage Information Network; The Winnipeg Art Gallery; Canadian Museum of Civilization; Consejo Nacional para la Cultura y las Artes; Instito Nacional de Bellas Artes; Smithsonian American Art Museum. Virtual Museum Canada. «This virtual exhibit is a collaborative project between Canada, Mexico and the United States, which promotes greater cultural exchange between nations and celebrates North America's rich cultural heritage.» Canadá EEUU - hispano México |
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| Peintures monumentales dans la vallée du Louron (Hautes-Pyrénées) | ||
| Ministère de la Culture et de la Communication. Itinéraires du Patrimoine. «La vallée du Louron, haute vallée pyrénéenne encaissée au sud du plateau de Lannemezan, frontalière avec l'Espagne, a conservé un riche patrimoine religieux. La plupart des églises, d'origine romane, ont été agrandies aux XVIe et XVIIe siècles. Certaines furent, à cette occasion, embellies intérieurement. Murs, voûtes en maçonnerie ou fausses-voûtes en bois furent ainsi couverts de décors peints. Il reste aujourd'hui de magnifiques oeuvres pleines de détails pittoresques où des archaïsmes stylistiques savoureux traduisent parfois une iconographie tout à fait originale, qui, en dépit de leur date, accusent encore des caractéristiques médiévales.» Francia |
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| Picturing the Natural World | ||
| John Paul Getty Museum. «In the three and a half centuries (about 1450?1800) covered in this exhibition, artists increasingly took their inspiration directly from nature, attempting to capture every detail of insects, animals, flowers, and plants that became subjects of interest in their own right.» Europa |
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| Pinacoteca del Ministerio de Educación de la República Argentina | ||
| «El Palacio Sarmiento –sede del Ministerio de Educación de la Nación- cuenta con una importante pinacoteca integrada por piezas de destacados artistas argentinos. Entre otros autores, que representan la primera mitad del siglo XX, figuran obras de Fernando Fader, Miguel C. Victorica, Raúl Soldi, Benito Quinquela Martín, Antonio Berni, Juan Carlos Castagnino, Faustino Brughetti u Horacio Butler. Junto a una donación de pintura contemporánea –en la que figuran obras de Juan Doffo, Ana Eckell, María Luz Gil, Juan Lecuona, Gustavo López Armentía, Zulema Maza, Eduardo Medici, Héctor Medici, Miguel Melcón, Teresa Pereda, Tulio de Sagastizábal y Marino Santa María- estos trabajos constituyen un panorama significativo de nuestra plástica nacional.»
Argentina |
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| Pinacoteca della Accademia Albertina di Belle Arti | ||
| «La Pinacoteca, collocata nel palazzo dell'Accademia dal 1837, nacque con finalità didattiche. Si fonda sul lascito della collezione Mossi di Morano (1828), che comprende opere dal Quattrocento al Settecento (Filippo Lippi, Defendente Ferrari, Martino Spanzotti, caravaggeschi, fiamminghi, genovesi, veneti), e sulla donazione di Carlo Alberto (1832) dei 60 cartoni di Gaudenzio Ferrari e della sua scuola, raccolta unica al mondo di un fondo grafico di bottega rinascimentale.»
Italia |
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| Pinturas de la basílica paleocristiana de Santa María de Arcos | ||
| «La Basílica de la Virgen de los Arcos es el monumento religioso más antiguo de La Rioja . Su particularidad estriba en que fue edificado con materiales reutilizados procedentes de la antigua ciudad romana de Tritium Megallum, Tricio la Grande, que comprendía el Tricio actual, Nájera y otras localidades próximas.» «En la zona de la cabecera, se conservan restos de las pinturas que originalmente decoraban la basílica. Se trata de pinturas románicas de finales del siglo XII, de estilo sencillo y tosco, que fueron repintadas sobre las originales paleocristianas del siglo V. Representan diversas escenas de la Pasión de Cristo, algunas de ellas fragmentadas.» España |
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| Portraits de musiciens | ||
| Gallica. Bibliothèque Nationale de France. 2245 documentos. Francia |
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| Prints after Poussin | ||
| Getty Research Institute. «Prints after Poussin is a pilot project for the Getty Research Institute digital library program that will provide online access to works of art-historical interest. This small, searchable collection of images was drawn from the special collections holdings of reproductive prints in the Research Library at the Getty Research Institute. The prints that are reproduced on this Web site comprise 35 etchings and engravings after the works of Nicolas Poussin (1594–1665). The engravers include Gérard Audran (1640–1703), Étienne Baudet (ca. 1636–1711), Claudine Bouzonnet-Stella (1636–1697), François de Poilly (1622–1693), and Poussin's brother-in-law Jean Dughet (1614–1679).» Europa |
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| Prints and Drawings | ||
| Los Angeles County Museum of Art Collections Online.
EEUU - inglés Internacional |
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| Prints, Drawings, and Photographs | ||
| Museum of Fine Arts, Borton. «The Department of Prints, Drawings, and Photographs, which originated in 1887, houses a vast, encyclopedic collection of works on paper -- prints, drawings, watercolors, photographs, illustrated books and posters of American and European origin dating from the 15th century to the present day. It is unquestionably one of the world’s major print rooms measured by standards of both size and artistic significance. The better-known graphic artists, such as Dürer, Rembrandt, and Goya are represented by a rich collection of prints, as well as by important drawings. The collection of watercolors, including works by William Blake, Winslow Homer, and John Singer Sargent attract viewers from across and the country and around the world.» «The Museum of Fine Arts, Boston, was one of the earliest museums in the country to collect photography, initiated in 1924 when Alfred Stieglitz donated twenty-seven of his photographs. This donation stimulated other gifts, in particular photographs by Stieglitz's contemporaries Clarence White and Frederick Evans, as well as a second group of Stieglitz photographs presented by Georgia O’Keeffe in 1950.» EEUU - inglés |
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| REBELS: Painters and Poets of the 1950s | ||
| National Portrait Gallery. Smithsonian Institution. «This two-part exhibition examines the revolutions in painting and poetry that took place on the East and West Coasts following World War II.» EEUU - inglés |
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| Raphael at the Getty | ||
| John Paul Getty Museum. «RAPHAEL AND HIS CIRCLE: DRAWINGS FROM WINDSOR CASTLE features sixty-six drawings on loan from Her Majesty Queen Elizabeth II selected from the magnificent collection of old master drawings and watercolors in the Royal Library at Windsor Castle. The drawings exemplify the principles of composition, types of figure drawing, and systems of workshop collaboration Raphael developed. These elements of his work set the standard for much of the next four centuries and made his famous large-scale compositions possible. Works by artists who influenced him will also be on view, along with those by Raphael's assistants who spread interpretations of his work throughout Italy. RAPHAEL AND HIS INFLUENCE ACROSS THE CENTURIES complements the exhibition with drawings from the Getty's own collection.» EEUU - inglés Italia |
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| Restoring a Masterwork | ||
| The Minneapolis Institute of Arts. «Museums, like The Minneapolis Institute of Arts, are responsible for preserving art so it may be enjoyed by many generations of visitors. In the fall of 1999 this exhibition provided an up-close look at the delicate process of restoring a painting that is over 300 years old.» «Although it may appear to be a static object, Castiglione's Immaculate Conception with Saints Francis of Assisi and Anthony of Padua has undergone changes due to aging, deterioration, and damage in the 350 years since its creation.» EEUU - inglés |
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| Retables de Provence | ||
| Ministère de la Culture et de la Communication. Musées imaginaries. «Destiné à servir de support à la dévotion collective, un retable est toujours situé dans un lieu de culte, église ou chapelle. L'origine du mot renvoie à sa fonction liturgique et à son emplacement (retro tabula): il surmonte l'autel, en arrière de sa table, sur laquelle le prêtre célèbre la messe.» Francia |
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| Retablo Collection | ||
| Art Gallery at New Mexico State University. «...holds the largest public collection of retablos— religious images painted on tin plates — in the United States. This art form flourished in Mexico during the nineteenth-century. Over a period of ten years, from 1963 to 1973, more than 1,700 retablos were donated to the university’s art gallery.» EEUU - inglés |
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| Rodolphe Bresdin 1822-1885, Robinson graveur | ||
| Bibliothèque Nationale de France. Expositions Virtuelles. «Autodidacte, marginal et solitaire, Rodholpe Bresdin est une figure pittoresque de l'histoire de l'art.» Francia |
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| Rostros del Museo del Prado | ||
| Centro Virtual Cervantes. «Los maestros de la pintura siempre mostraron un marcado interés por la representación próxima del ser humano, ya fuese mediante retratos o mediante otro tipo de creaciones. El Centro Virtual Cervantes los invita a un fascinante recorrido por las salas del Museo del Prado, en busca de los rostros y las miradas que quedaron plasmados en los lienzos de los mejores pintores españoles y europeos desde el siglo XII al XIX.» España |
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| Royal Bank of Canada Corporate Art Collections | ||
| Canada's Digital Collections. Government of Canada. «The Royal Bank collection comprises both abstract and representational works by artists across the country and includes such notable movements as the Group of Seven, the Automatistes, Painters Eleven and the Regina Five. The collection includes such world-renowned artists as Jane Ash Poitras, David Bierk, Paul-Emile Borduas, Emily Carr, Alex Colville, Marc-Auréle Fortin, Cornelius Krieghoff, Jean McEwen, David Milne, Christopher Pratt, Mary Pratt and Jean-Paul Riopelle.» Canadá |
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| Sala de Arte Público Siqueiros | ||
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« El objetivo principal de la exposición es mostrar al público los murales que David Alfaro Siqueiros realizó en diversas latitudes, su historia y la influencia que dichos trabajos ejercieron entre sus colaboradores y en el ámbito de la pintura mural posterior a su muerte.»
México |
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| Salinas, Manuel | ||
| Sociedad Estatal para la Acción Cultural Exterior de España, SEACEX. Catálogo completo y relación completa de piezas. «La obra de Salinas presenta un afán estructural de evocaciones arquitectónicas a partir de los años ochenta, con un sentimiento del color crecientemente valorado. Sus rojos, amarillo y azules, así como los negros en los que se ha visto un eco matissiano, se combinan en afortunadas síntesis cromáticas don el esmeralda o el rojo más profundo, creando una gama de destellos que se erigen en ventanas abiertas a la experiencia, en una búsqueda de la belleza capaz de renovar las sendas conocidas de la abstracción. Muchos de sus cuadros nos hablan de luz, otros de noche, de transparencia, siempre de una refinada indagación en los colores erigidos en protagonistas, como teselas de una gran construcción que desprende sensaciones de plenitud y una naturalidad pura y sin concesiones.» España |
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| Samuel Dorsky Museum of Art | ||
| «The Samuel Dorsky Museum of Art, originally known as the College Art Gallery (founded in 1964), is a not-for-profit educational institution located at the State University of New York at New Paltz, The Museum uses its collections and develops changing exhibitions primarily to enrich and amplify the academic programs at the College. The Museum is dedicated to collecting, researching, interpreting, and exhibiting works of art from diverse cultures. The permanent collection spans a period of almost 4,000 years. Areas of specialization include 20th century prints and paintings, Asian art, Pre-Columbian art and artifacts, decorative arts (metals), and photographs. The Museum has a special commitment to collecting important works of art created by artists that have lived and worked in the Hudson Valley and Catskill regions.»
EEUU - inglés |
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| Seis Séculos de Pintura Portuguesa | ||
| «A exposição "Seis Séculos de Pintura Portuguesa" é um projecto concebido e mantido por Eduardo Mota (Gouveia, Portugal). Para a sua concretização contou com a colaboração de Rui Bebiano (Coimbra, Portugal) e o apoio do Instituto de História e Teoria das Ideias da Faculdade de Letras da Universidade de Coimbra.»
Portugal |
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| Tal Coat | ||
| Bibliothèque Nationale de France. Expositions Virtuelles. «Pierre Tal Coat (1905-1985) est l'une des figures majeures de la peinture française après la guerre. Né en 1905 à Clahors-Carnoët (Finistère), Tal Coat se consacre à la peinture dès 1924. De son vrai nom Pierre Jacob, c'est en 1926 à l'occasion de sa première exposition parisienne que, pour éviter toute confusion avec Max Jacob, il prend le pseudonyme de Tal Coat qui signifie "front de bois" en breton.» Francia |
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| Teixidor, Jordi | ||
| Sociedad Estatal para la Acción Cultural Exterior de España, SEACEX. Catálogo. España |
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| The American Indian Observed: Selected Sketches and Documents from the Collections of the Archives of American Art | ||
| Archives of American Art, Smithsonian Institution. «ound among the Archives' collections are many containing artists' depictions of the American Indian. While the work of artists like George Catlin, W. Langdon Kihn, and Dorothy Newkirk Stewart all look different, they, and the work of other artists represented in this display, are united in one respect: their subject matter came from life. Whether through sketchbooks and notes, or works of art, the following selections are testaments to the power of observation.» EEUU - inglés |
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| The Barbosa-Stern Art Collection | ||
| «When we think about one of the highest exponents of colonial culture in Latin America, the Peruvian School naturally comes to mind. It is an amalgam of two rich cultural traditions: The Indian and the European.
Art under the Peruvian viceroyalty is extraordinary represented in the Barbosa-Stern Collection.»
Perú |
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| The Blanton Museum of Art | ||
| The University of Texas at Austin. «The Blanton is first and foremost an object-based teaching and research institution. The excellence of its permanent collections and its changing exhibitions allows the Museum to harness the University's multiple resources in order to serve as a laboratory for innovative curatorial and educational research, a center for scholarship and professional training, and a model for ground-breaking community outreach programs.» «From intimate works on paper to large-scale abstract paintings and contemporary installations, the Blanton’s permanent collection spans the history of Western civilization with more than 17,000 works of art from Europe, the US, and Latin America.» EEUU - inglés |
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| The Corcoran Gallery of Art | ||
| Washington D.C. «The Corcoran's permanent collection of 19th-century American art is among the best in the world. The collection's paintings and sculpture are the legacy of William Wilson Corcoran (1798-1888), the museum's founder and a leading patron of American art. Together with its noted holdings of 19th-century American prints and drawings, the collection brings us face-to-face with the people, the landscape and the lifestyles of a dramatically different time.» EEUU - inglés |
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| The Group of Seven | ||
| Tom Thomson Memorial Art Gallery. «In 1920, J.E.H. MacDonald, Lawren Harris, A.Y. Jackson, Arthur Lismer, Franklin Carmichael, F.H. Varley and Frank Johnston officially formed this now famous group. These were painters bitten by the Canadian north who, for the first time, took on the task of painting the great power, scenery and spirit of their land.» Canadá |
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| The Hunterian Art Gallery | ||
| University of Glasgow. «William Hunter made significant purchases of 17th century Italian, Dutch and Flemish masters including work by Rembrandt and Koninck, and the 18th century French painter Chardin. He had his portrait painted by Ramsay, and commissioned animal paintings by Stubbs. Many donors have enriched the collection since Hunter's day. The 19th and 20th century paintings include works by the French Impressionists, the Glasgow Boys and the Scottish Colourists. Contemporary art and sculpture are also represented.» Reino Unido |
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| The Pre-Raphaelite Brotherhood | ||
| «The Pre-Raphaelite Brotherhood was founded in 1848 by a group of English painters: Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, as well as poets and critics: William Michael Rossetti, an art critic and Dante's younger brother; the art critic Frederic George Stephens; the painter James Collinson; and the sculptor and poet Thomas Woolner. Millais left the group in 1859, but as the second generation Pre-Raphaelites, other English artists joined it, including the painter Edward Coley Burne-Jones; the poet and artist William Morris was never a Pre-Raphaelite in the true conception of the term.»
Reino Unido |
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| The Prismatic Palette: Four Centuries of Watercolors | ||
| John Paul Getty Museum. «This exhibition traces the development of watercolor as an artistic medium and documents the inventive techniques of several great watercolorists. The ingredients of watercolor are simple: cakes or tubes of paints, brushes, water, and paper. Enormous skill, however, is required to master the medium. The greatest watercolor artists developed unique and inventive ways of manipulating pigment, water, and the paper underneath.» Internacional |
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| The Sacred Spaces of Pieter Saenredam | ||
| John Paul Getty Museum.
Holanda |
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| Thomas Moran | ||
| American Visionaries. National Parks Service. «Thomas Moran’s vision of the Western landscape was critical to the creation of Yellowstone National Park. His pencil and watercolor field sketches and paintings captured the grandeur and documented the extraordinary terrain and natural features of the Yellowstone region. Moran's artwork was presented to members of Congress by park proponents. These powerful images of Yellowstone fired the imagination and helped inspire Congress to establish the National Park System in 1916.» EEUU - inglés |
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| Through the Eyes of the Cree. The Art of Allen Sapp | ||
| The Allen Sapp Gallery. Virtual Museum Canada. «Through the art of renowned Cree artist Allen Sapp, this site explores the life and history of Allen Sapp and the Northern Plains Cree. It features video footage of elders reflecting on the meaning and historical and cultural significance of Sapp's work and contains over 600 paintings in the image gallery ranging from early reserve life to contemporary Cree activities.» Canadá |
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| To the Totem Forests: Emily Carr and Contemporaries Interpret Coastal Villages | ||
| Canada's Digital Collections. Government of Canada. «...is the first exhibit in which the voice of First Nations people is used to describe drawings, paintings and prints which were created by Emily Carr, Walter Phillips, A.Y. Jackson, George Pepper, Langdon Kihn and F.M. Bell-Smith. This voice, through first-person testimony and anthropological records provides context for the artworks and corrects some misinterpretations unwittingly introduced by the artists. Further, the exhibit incorporates historical photographs, taken before and during the years these artists painted, which provide new insights into the depiction of Northwest Coast monumental sculpture during the first three decades of the 20th century.» Canadá |
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| Tom Thomson Memorial Art Gallery | ||
| Canada's Digital Collections. Government of Canada. «One of Canada's most important and influential artists, Tom Thomson, along with the Group of Seven, created a distinct approach to portraying the Canadian landscape. The Tom Thomson Memorial Art Gallery, located in Owen Sound, Ontario, was established to celebrate the rich legacy of Tom Thomson, who grew up in the Owen Sound area.» Canadá |
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| Topographical Books | ||
| The British Library. Collect Britain. «A survey of the British landscape through 3,000 engravings and coloured aquatints by travelling artists, reflecting the 19th century's celebration of national identity.» Reino Unido |
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| Torner, Gustavo | ||
| Sociedad Estatal para la Acción Cultural Exterior de España, SEACEX. Catálogo completo y relación completa de piezas. «Entre la multiplicidad de tendencias que recorren el actual panorama artístico español, la obra de Gustavo Torner expresa con particular claridad el encuentro entre la tradición de una cultura abierta a las más diversas seducciones del pasado como motivo de inspiración y la experimentación continua con los modos y técnicas expresivas. La riqueza del trabajo con los materiales y el libre juego de las formas y el color, impregnados por múltiples valencias simbólicas, se conjugan con la personal reflexión del autor sobre ideas y figuras que, no por concretos y vinculados a una coyuntura histórica profundamente interiorizada –del Renacimiento a las vanguardias del siglo XX-, dejan de encerrar un valor universal capaz de desbordar cualquier limitación de espacio y de tiempo.» España |
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| Otras secciones de Artes | ||||
| Generales | Ciberarte | Escultura | Fotografía | |
| Música | Cine | Otros | ||