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| FotoMuseum | ||
| Bélgica
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| Fotografías de "Vida manchega": revista semanal ilustrada | ||
| Universidad de Castilla-La Mancha. Centro de Estudios de Castilla-La Mancha. «Este fondo presenta la información gráfica contenida en la publicación Vida Manchega, semanario publicado en Ciudad Real entre los años 1912 y 1920. La recopilación de fotografías es el resultado de un trabajo realizado en el Centro de Estudios de Castilla-La Mancha con la colaboración de la Dra. Esther Almarcha, profesora del Departamento de Arte de la Facultad de Letras de Ciudad Real, consistente en la reproducción fotográfica de todas las imágenes de la publicación con un total de más de 700 fotografías. Los originales de la revista fueron cedidos por la Biblioteca Pública de Ciudad Real como un fruto más de la cooperación entre ambos centros. Posteriormente se ha procedido a la catalogación de todas las fotografías en el Centro de Estudios estando disponibles en su catálogo.» España |
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| Fotografías de la Guerra Civil en Castilla-La Mancha | ||
| Universidad de Castilla-La Mancha. Centro de Estudios de Castilla-La Mancha. «Este fondo del Centro de Estudios contiene 700 fotografías seleccionadas de entre más de 20.600 que componen el archivo de fotografía relativa a la Guerra Civil Española (1936-1939) de la Biblioteca Nacional de Madrid. Aquí ofrecemos una importante muestra de todas las fotografías. Se puede acceder y realizar búquedas a través del catálogo. La mayor parte de las fotografías son relativas a hechos ocurridos en la provincia de Toledo, la provincia de Guadalajara y un pequeño porcentaje de fotografías relativas a la provincia de Albacete. Ciudad Real y Cuenca no están representadas.» España |
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| Fototeca | ||
| Cineteca del Friuli. «L’archivio fotografico della Cineteca del Friuli è composto di 60.000 immagini di soggetto cinematografico o relative al mondo dello spettacolo. Si tratta di stampe di vario formato (in maggioranza 18 x 24), in bianco e nero e a colori, aventi come soggetto attori e attrici del cinema americano ed europeo (italiani, francesi, inglesi), della televisione; negativi (in maggioranza in 35mm) in bianco e nero e a colori; foto di scena e di set; immagini pubblicitarie; telefoto e diapositive a colori di grande formato (6 x 6). Il materiale disponibile si riferisce in particolare agli anni ‘10 e ‘20, e anni '50, '60, '70.» Italia |
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| Fototeca | ||
| Instituto Tecnológico y de Estudios Superiores de Monterrey.
México |
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| Fox Talbot Museum of Photography | ||
| «The Fox Talbot Museum commemorates the life and work of William Henry Fox Talbot - one of the greatest figures of the 19th century - mathematician, physicist, classicist, philologist, and transcriber of Syrian and Chaldean cuneiform texts. In late September 1840 he invented the positive/negative process and he is known as The Father of Modern Photography.»
Reino Unido |
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| Frank Fuller Avery Image Collection | ||
| Washington State University, Manuscripts, Archives, and Special Collections. «The collection consists of 800 images selected from 894 5x7 inch glass negatives taken by Avery during the period 1901 to 1916 when Avery was assigned to the Colville Indian Agency.» EEUU - inglés |
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| Frank S. Matsura Image Collection | ||
| Washington State University, Manuscripts, Archives, and Special Collections. «Frank S. Matsura came to the United States from Japan in 1905 (perhaps as early as 1902), settling briefly in Seattle before crossing the Cascades to take a job as a handyman at the Elliot Hotel, Conconully, Washington. In 1907 he moved to Okanogan, Washington, and started work as a professional photographer.» EEUU - inglés |
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| Franklin, Stuart | ||
| Magnum Photos. «Stuart Franklin, born in London in 1956, graduated in photography and film at West Surrey College of Art and Design and in geography at the University of Oxford - both BA and PhD. During the 1980s Franklin worked as a correspondent for Sygma Agence Presse in Paris before joining the cooperative agency Magnum Photos in 1985, where he remains a co-member.» Reino Unido |
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| Fratelli Alinari Museum of the History of Photography | ||
| «The Alinari Museum currently has in its custody 800,000 vintage prints, including albumen prints, bromide prints on salted paper, as well as calotypes, daguerreotypes. The Malandrini, Palazzoli, Gabba, Reteuna, Zannier, Favrod, Rommer collections have all found their way to the museum and there is also an extraordinary collection of albums (over 5,100) and one of antique cameras, lenses and laboratory instruments, period frames and containers. Many works by the great nineteenth- and twentieth-century photographers are also in the museum, including Alinari, Anderson, Brogi, Caneva, Nunes Vais, Primoli, Puccini, Ponti, Naya, Wulz, Mollino, Gabinio, Morpurgo, Miniati, Trombetta, Peretti Griva, Tuminello, Antonio and Felice Beato, Balocchi, MacPherson, Sommer, Fenton, Robertson, Sebah, Bernoud, Flacheron, Von Gloeden, Noack and many many others.» Europa Italia |
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| Freed, Leonard | ||
| Magnum Photos. «Born into a working class family of radical Jewish Eastern European immigrants, Freed at first wanted to become a painter. After trips to Europe and North Africa, he returned to the US and in 1954 studied in Alexei Brodovitch's "design laboratory." Brodovitch told Freed he "needn't pay, just attend".» EEUU - inglés |
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| Frente a la oscuridad | ||
| Museo Zumalakarregui. Diputación Foral de Gipuzkoa. «La modernidad tiene muchas caras. A lo largo del siglo XIX, a la par que las revoluciones económicas, sociales y políticas, se va a ir imponiendo una nueva percepción: la vida humana, adquiere mayor valor. El hombre consigue vivir más, consigue vivir mejor, la fotografía hace que su imagen -su verdadera imagen, no la ficción de un artista- se prolongue más allá de su vida.» España |
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| Frida Kahlo, by Nickolas Muray | ||
| Photographs Do Not Bend Gallery.
EEUU - inglés México |
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| Frith, Francis (1822-1898): Sinai, Palestine, The Nile | ||
| George Eastman House. «Francis Frith was born at Chesterfield, Derbyshire, England in 1822 to a Quaker family. A successful grocer, and later, printer, Frith fostered an interest in photography, becoming a founding member of the Liverpool Photographic Society in 1853. Frith sold his companies in 1855 in order to dedicate himself entirely to photography. From 1856 to 1860 Frith made three photographic expeditions to Egypt and Palestine. His work appeared in books published by the London firms of James S. Virtue and William Mackenzie between 1858 and 1865, and as stereographs published by Negretti and Zambra in 1862.» 73 Selected Images. Egipto Israel Palestina Reino Unido |
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| From Hanou to Ho Chi Minh: A Photographer's Diary | ||
| By Claro Cortes. 2000. The Digital Journalist. «Our back-breaking and butt-numbing road journey from Hanoi to Ho Chi Minh City stretched for more than a week. We have earned more than 1,700 kilometer points, cruising along the bumpy Highway One, before deciding to take a plane from Nha Trang resort city to Ho Chi Minh City (some 450 kilometers more).» Vietnam |
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| From the Bush to the Internet | ||
| Canada's Digital Collections. Government of Canada. «This is a collection of photographs by Fred Cattroll, an Aboriginal Photographer based in Ottawa, Ontario, Canada. The photos portray current social, economic, political and cultural issues of Aboriginal Peoples across Canada.» Canadá |
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| Fusco, Paul | ||
| Magnum Photos. «Paul Fusco was born in Leominster, Massachusetts. He became interested in photography around 1945 and pursued it as a serious hobby, eventually gained some awareness and experience as a photographer in the United States Army Signal Corps in Korea in 1951-53. After the war he studied photojournalism at Ohio University and received his B.F.A. in 1957. He moved to New York and started his career as a staff photographer with LOOK Magazine.» EEUU - inglés |
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| GAME THEORY: Bang, Bang (you're not dead) | ||
| Samuel Dorsky Museum of Art. Artist: Kathleen Ruiz. «Game Theory: Bang Bang (you're not dead?) comments on the observation of violence in computer games and the emotionality of their users. It portrays the seductive nature of immediate response and illustrates the fine line between reality and fantasy.» EEUU - inglés |
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| Galeria Civica d'Arte Moderna e Contemporanea | ||
| «Il patrimonio artistico è costituito da oltre 15.000 opere tra dipinti, sculture, installazioni e fotografie, oltre che da una ricca collezione di disegni e incisioni. Le raccolte, che datano dalla fine del Settecento fino ai giorni nostri, documentano soprattutto l'arte italiana ma non mancano esempi importanti di arte straniera, in particolare un insieme sceltissimo di dipinti che documenta le avanguardie storiche internazionali.»
Italia |
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| Gallery | ||
| Harvard Film Archive. «A selection of images from the history of the Archive, the filmmakers who have visited the HFA, and the McMillan and Stewart Award for Distinguished Filmmaking.» EEUU - inglés |
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| Gat the Picture: Thinking About Photographs | ||
| The Minneapolis Institute of Arts.
EEUU - inglés |
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| Gaumy, Jean | ||
| Magnum Photos. «Originally from the French southwest coast, Gaumy has often returned to his maritime roots (he currently lives in Fecamp, a fishermen's harbour, in Normandy), most recently following traditional Spanish fishing boats that are the last of their kind in Europe. He has natural empathy for the atmosphere of the sea and environmental subjects.» Francia |
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| George Eastman House | ||
| International Museum of Photography and Film. «Located on historic East Avenue in Rochester, the 12.5-acre museum site was the urban estate of George Eastman (1854-1932), founder of Eastman Kodak Company. Opened in 1949, the Museum includes Mr. Eastman's restored house and gardens, an archives building and research center, galleries, two theaters, and an education center. The Museum displays the art, technology, and impact of photography and motion pictures over 150 years, and interprets the life of Mr. Eastman, an influential industrialist and philanthropist.» «The Photography Collection at George Eastman House includes more than 400,000 photographs and negatives dating from the invention of photography to the present day. The collection embraces numerous landmark processes, objects of great rarity, and monuments of art history that trace the evolution of the medium as a technology, as a means of scientific and historical documentation, and as one of the most potent and accessible means of personal expression of the modern era.» EEUU - inglés |
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| George Faitzer-Feroff | ||
| University of California, Riverside / California Museum of Photography. «Photographs of George Faitzer-Feroff exhibits 1930’s portraiture, technological innovation and a finely crafted exposé of leaders within the arts and industry.» EEUU - inglés Rusia |
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| Gerald & Betty Ford Historical Photographs | ||
| 230 photographs from the Ford Library's White House Photographic Office Collection. U.S. National Archives & Records Administration. EEUU - inglés |
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| Gibson, Ralph | ||
| George Eastman House. «Ralph Gibson was born in Los Angeles, California in 1939. He served as a photographer’s mate in the U.S. Navy from 1956 to 1960. After his service he studied painting and photography at the San Francisco Art Institute from 1960-61. During that time he worked as a printing assistant to photographer Dorothea Lange. In 1963 he moved back to Los Angeles. Between 1967 and 1969, Gibson assisted Robert Frank on the film, Me and My Brother. In 1969 Gibson moved to New York, where he formed Lustrum Press in order to exert control over the reproduction of his work.» 201 Selected Images. EEUU - inglés |
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| Gift of the Whale | ||
| By Bill Hess. 2000. The Digital Journalist. «For millennia, the Iñupiat had hunted the bowhead with no interference from the outside world. The whale was the focal point of the Iñupiat's cultural, spiritual, economic and social life. But, in 1977, the International Whaling Organization, backed by the U.S. government, informed the Iñupiat that they could no longer hunt bowheads, thus bring their sacred culture and way of life to an end.» EEUU - inglés |
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| Gifts and Graces of the Land | ||
| By Cynthia Vagnetti. 1999. The Digital Journalist. «Together, they have identified 27 farm families across 20 states, ranging from sugar cane growers in Louisiana to vineyard owners in northern California. They have revisited the families two to four times a year, as the farmers have gone though the planting to harvest cycle. Cynthia has photographed the farmers with black and white film and done interviews with her digital video camcorder.» EEUU - inglés |
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| Gilden, Bruce | ||
| Magnum Photos. «Bruce Gilden was born in Brooklyn, N.Y. and attended Penn State University where he became bored studying sociology. In 1968, after seeing the Antonioni film Blow Up, he bought his first camera. Though he took some courses at night at the School of Visual Arts in New York he is basically self-taught in photography.» EEUU - inglés |
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| Glinn, Burt | ||
| Magnum Photos. «Born in Pittsburgh, Pennsylvania, Burt Glinn served in the U.S. Army in the United States and Germany (1943-46) before studying literature at Harvard University (1946-49) and becoming an editor and photographer for the college newspaper, The Harvard Crimson. From 1949-50 Glinn worked for Life magazine and then began freelancing.» EEUU - inglés |
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| Gloucester Photographs | ||
| By Nubar Alexanian. 2001. The Digital Journalist. «The earliest photographic image of Gloucester of which I'm aware was taken 140 years ago almost to the day from a second-story window looking west on what was then Front Street, now Main, right after the blizzard of April 3, 1861. Fascinating. Spooky.» EEUU - inglés |
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| Goldberg, Jim | ||
| Magnum Photos. «Jim Goldberg is considered one of today's most respected photographers. His work with various sub-cultures and use of image and text are a landmark in the field. His photographs have appeared in George, Esquire, Gear, Colours, Dazed and Confused and Nest magazines. He has been exhibiting internationally for over twenty years.» EEUU - inglés |
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| Gordon Parks | ||
| PDN Online and Kodak. Legends Online. «A glimpse into the extraordinary life and work of renowned American artist Gordon Parks, who, at 88, has managed to do it all—including writing poetry, and composing and performing piano music—quite masterfully. Having worn many creative hats during his lifetime, Parks's uplifting message of hope in the face of adversity continues to carry through in whatever he does.» EEUU - inglés |
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| Gowin, Emmet | ||
| George Eastman House. «Gowin's early photographs centered on his family, friends and neighbors, and the landscape in and around Danville, Virginia and Newtown, Pennsylvania. Gowin's later European landscapes represent an expansion of Gowin's photographic world. Still later aerial views of Mount Saint Helens, Washington and Arizona represent Gowin's examination of the landscapes devastated by natural disasters or industrial use.» 20 Selected Images. EEUU - inglés |
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| Greg Gorman | ||
| PDN Online and Kodak. Legends Online. «His career began photographing rock concerts in the 1960's and since then Greg Gorman has demonstrated a bold ability to work in fine art, advertising and editorial arenas. A creative force for more than 30 years.» EEUU - inglés |
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| Greg Miller | ||
| August 2004. The Digital Journalist. «The exhibition of Greg Miller's work that is on display at the Redux Gallery in New York is titled "Primo Amore," or "First Love" for those of you whose Italian is as poor as mine. It's not clear whether the photographer became enamored of Italy before or after he became enamored of his Italian wife, but since he seems devoted to both, it probably doesn't matter.» EEUU - inglés |
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| Griffiths, Philip Jones | ||
| Magnum Photos. «Born in Rhuddlan, Wales, Jones Griffiths studied pharmacy in Liverpool and practiced in London while photographing part time for the Manchester Guardian. In 1961 he became a full-time freelancer for the London Observer. He covered the Algerian War in 1962 then became based in Central Africa, moving from there to Asia. He photographed in Vietnam from 1966 to 1968. He went back to Vietnam in 1970 and became famous for his 1971 book on the war, Vietnam Inc.» Reino Unido |
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| Gruyaert, Harry | ||
| Magnum Photos. «A portrait of Harry Gruyaert in black and white : it can appear paradoxical when his work is so concerned and passionate about the expressive strength of color, about revealing with brilliance its distinctive qualities. From Belgium to Morocco, passing through India and today Egypt, he has recorded for more than 20 years the subtle chromatic vibrations of Eastern and Western light.» Bélgica |
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| Guerre d'Algérie (1945-1964) | ||
| Médiathèque de la Défense. Collection photos. «La collection " Algérie " représente environ 120000 clichés. Elle regroupe trois fonds photographiques différents: le fonds " Algérie ", le fonds " Bled " et le fonds " Flament ".» Argelia Francia |
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| Guerre d'Indochine (1945-1956) | ||
| Médiathèque de la Défense. Collection photos. «L'ECPAD conserve un fonds photographique d'environ 90 000 clichés sur la guerre d'Indochine. La période couverte par les reportages s'étend de septembre 1945, date de l'arrivée à Saïgon du général Leclerc et des éléments de la 2e DB, à 1956, année marquée par le départ des unités de l'armée française vers la métropole.» Francia Vietnam |
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| Gursky, Andreas | ||
| The Museum of Modern Art, MOMA. «One might say that Andreas Gursky learned photography three times. Born in 1955, he grew up in Düsseldorf, the only child of a successful commercial photographer, learning the tricks of that trade before he had finished high school. In the late 1970s, he spent two years in nearby Essen at the Folkwangschule (Folkwang School), which Otto Steinert had established as West Germany’s leading training ground for professional photographers, especially photojournalists.» Alemania |
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| Gustave Le Gray | ||
| Bibliothèque Nationale de France. Expositions Virtuelles. «Gustave Le Gray (1820-1884) est une figure centrale de la photographie du XIXe siècle. Contemporain de photographes comme Nadar, Charles Nègre, Henri Le Secq, Edouard Denis Baldus, les frères Bisson, Roger Fenton, il occupe néanmoins une place à part. Comme la plupart d'entre eux, il commence par une formation de peintre. Sa maîtrise absolue de la technique photographique l'amène à mettre au point deux inventions majeures, le négatif sur verre au collodion en 1850 et le négatif sur papier ciré sec en 1851. Son sens de la composition hérité de la peinture, adapté à l'esthétique photographique naissante, le conduit à aborder de nombreux sujets : portraits, vues d'architecture, paysages, nus et reproductions d'œuvres d'art.» Francia |
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| Gustave Le Gray, Photographer | ||
| John Paul Getty Museum. «Gustave Le Gray (1820?1884) is known as the most important French photographer of the nineteenth century because of his technical innovations in the still new medium of photography, his role as the teacher of other noted photographers, and the extraordinary imagination he brought to picture making.» Francia |
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| Halsman, Philippe | ||
| Magnum Photos. «Philipe Halsman's photographic work began in Paris in the 1930's. He opened a portrait studio in Montparnasse in 1934, where he photographed Gide, Chagall, Malraux, Le Corbusier, and many other writers and artists, using an innovative twin-lens reflex camera that he designed himself. He arrived in the United States in 1940, just after the fall of France, having obtained an emergency visa through the intervention of Albert Einstein.» EEUU - inglés |
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| Hamilton, Alex H. | ||
| «Alex's interest in photography grew during the thirties and he joined the Motherwell Camera Club, through which he also met his future wife, Margaret. It was not long before his work gained wider recognition. He became an Associate of the Royal Photographic Society and most of the photographs in this feature were widely exhibited in the UK and abroad during the 1940's and 1950's.»
Reino Unido |
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| Hands | ||
| By Martin Lueders. 1999. The Digital Journalist. «For every individual you see, I have images of hundreds more. For every victim around the world that gets any attention whatsoever, there are millions more who never get noticed. The flipside to cruelty is compassion. My experience is that it (compassion) can thrive in the most horrific conditions.» EEUU - inglés |
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| Hans Namuth: Portraits | ||
| National Portrait Gallery. Smithsonian Institution. «This exhibition marks the first full exploration of Namuth's life and work, and the first time the Portrait Gallery's collection of his photographs has been on view in its entirety.» EEUU - inglés |
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| Hans Neleman | ||
| PDN Online and Kodak. Legends Online. «Dutch-born photographer Hans Neleman integrates a curious blend of sculptural and photographic technique to create images that startle the eye and delight the imagination. His pictures draw little distinction between personal and commercial work: in his eyes, they are one.» Holanda |
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| Harry Benson: 50 Years in Pictures | ||
| 2001. The Digital Journalist. «He was just steps from Bobby Kennedy the night the senator was shot, steps from Coretta Scott King at her husband's funeral, steps from Richard Nixon the day the president resigned in disgrace. He was on hand for the Freedom March through Mississippi, the Watts riots, the I.R.A. hunger strikes, the fall of Czechoslovakia and Romania and the Berlin Wall.» EEUU - inglés |
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| Hartmann, Erich | ||
| Magnum Photos. «Erich Hartmann, who died recently in 1999, left to his peers and friends the memory of a self-contained man who in anger would do no more than break a pencil. He first became known to a large public for his poetic approach to industry and science and architecture through work undertaken for Fortune magazine in the 1950s such as Shapes of Sound, The Building of Saint Lawrence Seaway, The Deep North...and later published comparable essays on the poetics of science in Géo magazine.» Alemania EEUU - inglés |
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